Some of Monuments of Aurangabad
Having a striking resemblance to Taj Mahal, the Bibi ka Maqbara is a beautiful mausoleum of Rabia- Ul - Daurani alias Dilras Banu Begum, the wife of Mughal Emperor Aurangzeb.
Bibi ka Maqbara was constructed by Aurangzeb in the year 1661 in the memory of his wife. Aurangzeb attributed this magnificent edifice in the name of his son Azam Shah who was born in the year 1653, so as to commemorate Rabia - Ul - Daurani, who left for her heavenly abode in the year 1657.
The monument resembles the famous Taj Mahal, as the main inspiration for building the design was from here and is often referred to as the Taj of the Deccan.
A kilometer long walk away from Ellora caves, the 18th century temple of one of the five Jyothirlingas of Lord Shiva in Maharashtra and 12 of that in India, holds great gathers much significance from its visitors. Once Shiva and Parvati were playing chess on Mount Kailasa. Paravti checkmated Shiva. Shankara played to be angry at this and went away southward. He went and stayed at a place on the Sahyadri range, where there is cool breeze.
This place was given the name of Maheshamauli Bhainsmal. Parvati came there looking for Shankar. She won the heart of Shiva in the form of a hill mountain tribal girl. They both spent some time there happily. This forest came to be known as Kamyakavana. Lord Mahesha forbade crows from entering the area of Maheshamouli or Bhainsmal. One day, Paravti was very thirsty. Shankara pierced earth with his trident and got the water of Bhogavati from the Patal (Nether world). This is the Shivalay.
The Ajanta Caves constitute ancient monasteries and worship halls of different Buddhist traditions carved into a 250 feet wall of rock. The caves also present paintings depicting the past lives and rebirths of the Buddha, pictorial tales from Aryasura's Jatakamala, as well as rock-cut sculptures of Buddhist deities.
Textual records suggest that these caves served as a monsoon retreat for monks, as well as a resting site for merchants and pilgrims in ancient India. While vivid colours and mural wall painting were abundant in Indian history as evidenced by historical records, Caves 16, 17, 1 and 2 of Ajanta form the largest corpus of surviving ancient Indian wall-painting